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Ernst Jünger used to be one in every of twentieth-century Germany’s such a lot important—and such a lot controversial—writers. adorned for bravery in international warfare I and the writer of the acclaimed memoir from the western entrance, Storm of Steel, he frankly depicted the war’s horrors at the same time he extolled its glories. As a Wehrmacht captain throughout the moment international conflict, Jünger faithfully stored a magazine in occupied Paris and persisted to jot down at the japanese entrance and in Germany until eventually its defeat—writings which are of significant old and literary significance.

Jünger’s Paris journals rfile his Francophile pleasure, romantic affairs, and fascination with botany and entomology, along mystical and spiritual ruminations and trenchant observations at the career and the politics of collaboration. operating as a mail censor, he led the privileged lifetime of an officer, encountering artists reminiscent of Céline, Cocteau, Braque, and Picasso. His notes from the Caucasus depict chaos and distress after the defeat at Stalingrad, in addition to candid reviews concerning the atrocities at the japanese entrance. Returning to Paris, Jünger saw resistance and was once peripherally curious about the 1944 conspiracy to assassinate Hitler. After fleeing France, he reunited along with his kin as Germany’s capitulation approached. either player and commentator, as regards to the horrors of historical past yet usually soaring above them, Jünger became his lifestyles and studies right into a murals. those wartime journals seem the following in English for the 1st time, giving us clean perception into the quandaries of the 20 th century from the prepared pen of a paradoxical observer.

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A German Officer in Occupied Paris: The War Journals, 1941-1945

by Kenneth

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